The Lumen Print and Anthotype Print May 30th
May
30
11:30 AM11:30

The Lumen Print and Anthotype Print May 30th

Two Alternative Photo Classes in One Workshop!

Learn about the processes:

Lumen Printing: A lumen print is a cameraless photographic image created by placing objects (often botanicals) directly onto light-sensitive black-and-white photographic paper and exposing them to sunlight. It is a form of solar photogram that produces unique, often colorful, and dreamy, one-of-a-kind images through a long, direct, and unpredictable exposure.

- long versus short exposures.

-fixing versus unfixing.

Anthotype printing: An anthotype is an eco-friendly, 19th-century photographic process that creates images using light-sensitive emulsions made from crushed plant materials, such as flower petals, berries, or fruits. It is a contact printing method where UV sunlight bleaches the exposed areas, producing a positive, often ephemeral, image that gradually fades over time.

- Creating emulsions from plants and vegetables to create prints.

-The history of lumen and anthotype printing. 

Lumen print created by Corasonora

Anthotype: Corasonora

Alternative Photography Program

Resident Artist & Workshop Instructor at Photographique Bishop Arts

Rosalia Salazar of Corasonora

CORASONORA’s aim is to stimulate the creative itch and invite everyone to conceive their own impression of life.

Learn more about Corasonora

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Wet Cyanotype Sun. May 3rd
May
3
11:30 AM11:30

Wet Cyanotype Sun. May 3rd

The Fundamentals - Wet on wet coating.

- salt, vinegar, alcohol, turmeric interventions.

-Brush and image making.

Wet Cyanotype created by Corasonora

Alternative Photography Program

Resident Artist & Workshop Instructor at Photographique Bishop Arts

Rosalia Salazar of Corasonora

CORASONORA’s aim is to stimulate the creative itch and invite everyone to conceive their own impression of life.

Learn more about Corasonora

View Event →
Cyanotype On Alternative Surfaces Sun. April 26th
Apr
26
11:30 AM11:30

Cyanotype On Alternative Surfaces Sun. April 26th

The Fundamentals - Fabric, cotton, silk, linen.

- glass

-cardboard

Alternative Photography Program

Resident Artist & Workshop Instructor at Photographique Bishop Arts

Rosalia Salazar of Corasonora

CORASONORA’s aim is to stimulate the creative itch and invite everyone to conceive their own impression of life.

Learn more about Corasonora

View Event →
Intro to Cyanotype with Corasonora at Photographique Bishop Arts April 18th 11:30-3:30pm
Apr
18
11:30 AM11:30

Intro to Cyanotype with Corasonora at Photographique Bishop Arts April 18th 11:30-3:30pm

                                       Cyanotype Sat. April 18

The Fundamentals - Chemistry, history, basic paper prints.

- UV vs. Sunlight

+ Negative creation: (digital + drawn)

+ Toning: tea, coffee, wine.

Cyanotype created by Corasonora

Alternative Photography Program

Resident Artist & Workshop Instructor at Photographique Bishop Arts

Rosalia Salazar of Corasonora

CORASONORA’s aim is to stimulate the creative itch and invite everyone to conceive their own impression of life.

Learn more about Corasonora

View Event →
Art Exhibit: Danica Milošević - In Your Dreams Curated by Alexandra Hulsey
Mar
28
6:00 PM18:00

Art Exhibit: Danica Milošević - In Your Dreams Curated by Alexandra Hulsey

Danica’s work begins with the body but resists settling there. Using herself as the subject, she stages a series of editorial portraits that align with a lineage of performative self-portraiture in photography established by artists such as Claude Cahun, whose work explores the photograph as a site where identity is constructed.

The images are then digitally distorted, printed, and transferred onto wood panels, where traditional notions of photography dissolve into something hybrid and painterly. Fragments of the body remain visible, yet these elements repeat and fracture until they become atmospheric.

Born in Niš, Serbia in 1993, Danica studied painting at the University of Arts in Niš. After moving from Serbia to Dallas, she turned inward, using her own image as a point of grounding in an unfamiliar place. She describes these works as meditations that, through repetition and distortion, inform her painting practice.

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